Impost
By Geoffrey Aitken
this morning all day back into night
she plans the hours
during
this economic struggle
as her bar radiator
warms the room
for writing
that graces what she reads
to survive
before sleep
under
government blankets
uses prescription medication
to alleviate
anxiety induced mood disorder
on recycle.
to win each winter’s day
she must be strategic.
faked profiles
it’s not personal
the rejection
more a polite
refusal
while others
roam freely
about the cabin.
post institutionalisation
you re-read the picture
seek the evidence
from quality control
that recorded
your unacceptability
before critiqued as a failed
portrayal
of whom it was
you were bluntly expected to be
for the former …
now the violinist
plays herself
into a frenzy
for those
unable to know
beyond her love
of this instrument
and the hours spent
in devoted practice
assisting her escape
from the moments she fears
will again render her
pedestrian
return her, to the once
and lesser,
aspirational self
safely now
lost to a movement
signs remain
the doctor says
it’s okay to pretend.
there is precedence.
great gospel musicians
black and/or women
or both
corroborated
by radio airplay
and record sales.
so i make it up
as i go along
cautious and still aware
steel makes crunching noises
when cars collide

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